Paradigms of Paranoia: The Culture of Conspiracy in Contemporary American Fiction Samuel Coale

ISBN: 9780817314477

Published:

Hardcover

272 pages


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Paradigms of Paranoia: The Culture of Conspiracy in Contemporary American Fiction  by  Samuel Coale

Paradigms of Paranoia: The Culture of Conspiracy in Contemporary American Fiction by Samuel Coale
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The recent popularity of The DaVinci Code and The Matrix trilogy exemplifies the fascination Americans have with conspiracy-driven subjects. Though scholars have suggested that in modern times the JFK assassination initiated an industry of conspiracyMoreThe recent popularity of The DaVinci Code and The Matrix trilogy exemplifies the fascination Americans have with conspiracy-driven subjects. Though scholars have suggested that in modern times the JFK assassination initiated an industry of conspiracy (i.e., Vietnam and the Pentagon Papers, Area 51, Iran-Contra Affair), Samuel Chase Coale reminds us in this book that conspiracy is foundational in American culture—from the apocalyptic Biblical narratives in early Calvinist households to the fear of Mormon, Catholic, Jewish, and immigrant populations in the 19th century.Coale argues that contemporary culture—a landscape characterized by doubt, ambiguity, fragmentation, information overload, and mistrust—has fostered a radical skepticism so pervasive that the tendency to envision or construct conspiracies often provides the best explanation for the chaos that surrounds us.Conspiracy as embodied in narrative form provides a fertile field for explorations of the anxiety lying at the heart of the postmodern experience.

Thomas Pynchons The Crying of Lot 49, Don DeLillos Underworld, Toni Morrisons Jazz and Paradise, Joan Didions Democracy, Tim OBriens In the Lake of the Woods, and Paul Austers New York City Trilogy are some of the texts Coale examines for their representations of isolated individuals at the center of massive, anonymous master plots that lay beyond their control.

These narratives remind us that our historical sense of national identity has often been based on the demonizing of others and that American fiction arose and still flourishes with apocalyptic visions.



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